Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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PERUGINO, Pietro
Portrait of Francesco delle Opere

ID: 29781

PERUGINO, Pietro Portrait of Francesco delle Opere
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PERUGINO, Pietro Portrait of Francesco delle Opere


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PERUGINO, Pietro

Italian painter, Umbrian school (b. 1450, Citta della Pieve, d. 1523, Perugia). Italian painter and draughtsman. He was active in Perugia, Florence and Rome in the late 15th century and early 16th. Although he is now known mainly as the teacher of Raphael, he made a significant contribution to the development of painting from the style of the Early Renaissance to the High Renaissance. The compositional model he introduced, combining the Florentine figural style with an Umbrian use of structure and space,  Related Paintings of PERUGINO, Pietro :. | Madonna with Child and Little St John a | The Assumption of the Virgin with Saints | St Sebastian sg | Portrait of Dom Biagio Milanesi | Madonna, an Angel and Little St John Adoring the Child (Madonna del sacco) R |
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Cairo, Francesco del
Italian Baroque Era, 1598-1674
Gillis Mostaert
Flemish Northern Renaissance Painter , b. ca. 1534, Hulst, d. 1598, Antwerp
Kuzma Petrov-Vodkin
Russian Painter, 1878-1939 Russian painter. He began his studies in the drawing and painting classes of F. Burov (1843-95) in Samara (1893-5), and he attended Baron Stieglitz's school in St Petersburg from 1895 to 1897. He studied under Abram Arkhipov, Nikolay Kasatkin and Valentin Serov at the Moscow School of Painting, Sculpture and Architecture from 1897 to 1905 and at Anton Azb?'s school in Munich (1901). After working in various private studios in Paris between 1905 and 1908, he travelled to Constantinople (now Istanbul), Greece and Italy in 1905 and to Algiers in 1906. On his return to Russia, he held an exhibition in the editorial offices of the magazine Apollon in St Petersburg (1909). From 1911 to 1924 he exhibited with the WORLD OF ART group and from 1925 to 1928 with the FOUR ARTS SOCIETY OF ARTISTS. From the early 1910s Petrov-Vodkin's work was influential in the artistic life of St Petersburg. He attempted to reconcile classical and modern trends. His style was formed under a wide range of influences, often seemingly incompatible: 19th-century Russian painters such as Aleksey Venetsianov,






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